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No one knows what, exactly, the scenes really mean. Photo: Brunetto Latini’s Li Livres dou Tresor, c. “But the ubiquity of these depictions doesn’t make them any less strange,” says the British Library, rounding up a number of examples of the slimy battles. Usually, the knight is drawn so that he looks worried, stunned, or shocked by his tiny foe.Įpic snail-on-knight combat showed up as often in medieval manuscripts as Kilroy across Europe.
Sometimes the snail is all the way across the page, sometimes right under the knight’s foot.
Sometimes the snail is monstrous, sometimes tiny. They’re everywhere! Sometimes the knight is mounted, sometimes not. As Got Medieval writes, “You get these all the time in the margins of Gothic manuscripts.”Īnd I do mean all the time. It’s a great unsolved mystery of medieval manuscripts. And scattered through this marginalia is an oddly recurring scene: a brave knight in shining armor facing down a snail. If you have specific questions or information about content, the website, and applications, please contact us.It’s common to find, in the blank spaces of 13th- and 14th-century English texts, sketches and notes from medieval readers.
MEDIEVAL ILLUMINATED MANUSCRIPTS SNAILS ARCHIVE
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MEDIEVAL ILLUMINATED MANUSCRIPTS SNAILS SOFTWARE
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MEDIEVAL ILLUMINATED MANUSCRIPTS SNAILS LICENSE
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MEDIEVAL ILLUMINATED MANUSCRIPTS SNAILS FREE
The NYPL Digital Gallery provides free and open access to over 640,000 images digitized from the The New York Public Library's vast collections, including not just photographs but illuminated manuscripts, historical maps, vintage posters, rare prints and more.ĭigital projects and partnerships at NYPL are managed by the Digital Experience Group, a 21-person team of programmers, designers and producers dedicated to expanding and enhancing all points of computer and Web-mediated interaction with the library's collections, services and staff. Last year, over 16 million New Yorkers visited the library, and over 25 million used its website.
It is special also in being historically a privately managed, nonprofit corporation with a public mission, operating with both private and public financing in a century-old, still evolving private-public partnership. That combination lends to the Library an extraordinary richness. The New York Public Library comprises simultaneously a set of scholarly research collections and a network of community libraries, and its intellectual and cultural range is both global and local, while singularly attuned to New York City. Medieval and Renaissance illuminated manuscripts are vehicles of the collective memory of western European culture, and provide a material connection between the scribes, illuminators, and patrons who produced these works and the audiences who view them today. The New York Public Library possesses one of the largest and finest collections of medieval and Renaissance illuminated manuscripts in North America, yet its manuscript holdings are scarcely known to scholars, much less to a wide public audience. Gherardo, del Fora, Illuminator, 1480Īesop Fables.
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